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Milton Art Bank (MAB) is thrilled to present BLACK WHITE, an exhibition of artworks and objects spanning a wide range of mediums, genres, and historical periods. These works explore the many ways black and white are used in art. Black is the absence of visible light, while white contains all wavelengths of visible light. One draws in and absorbs while the other pushes out and repels. These two colors have been locked in binary opposition throughout history: Evil/Good; Dark/Light; Night/Day; Dirty/Clean. However, this belies the true nature of their relationship, for they are actually sympathetic companions, the one needing the other in order to find its fullest expression. For how can we ever truly know what is light without ever experiencing that which is dark?

There are innumerable ways in which artists have used black and white: formally, conceptually, metaphorically, politically, graphically, structurally. Some of the works on view are simply black, some simply white, while others mix the two colors to create striking ranges of gray. There are also works that are neither strictly black nor white, but rather use muted colors to portray an idea black and white, of opposition and pairing. In order to help the viewer better understand some of the larger ideas and motifs found in the works in BLACK WHITE, MAB has invited noted author and art critic Lance Esplund to peruse the exhibition and write about works he considers exemplary of how black and white can function in an artwork. His texts can be found throughout the gallery by the works they describe, and the viewer is invited to use them as their guide through the exhibition.

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